Under £2,000

2019, Acrylic, Ink & mixed media on canvas, 102x102x3.7cm

Superluminal #16 is part of a series of abstract paintings made up of acrylics, inks, fluid paint and glitter. In astronomy superluminal motion is travelling faster than the speed of light. This series aims to create an energy and vibrancy that alludes to another world.

Corinne Natel creates bright, expressive, abstract paintings investigating colour, form, space and texture.

2019, Acrylic, Ink & mixed media on canvas, 102x102x3.7cm

Superluminal #21 is part of a series of abstract paintings made up of acrylics, inks, fluid paint and glitter. In astronomy superluminal motion is travelling faster than the speed of light. This series aims to create an energy and vibrancy that alludes to another world.

Corinne Natel creates bright, expressive, abstract paintings investigating colour, form, space and texture.

2019, Acrylic & mixed media on canvas, 102x102x3.7cm, unframed, ready to hang.

Corinne Natel creates bright, expressive, abstract paintings investigating colour, form, space and texture.

2016, Acrylic, resin & mixed media on canvas, 102x102x3.7cm

Lilac Falls is a bright abstract floral interpretation, with thick glossy pops of lilac colours. A beautiful colourful abstract piece.  

Corinne Natel creates bright, expressive, abstract paintings investigating colour, form, space and texture.

2010, Acrylic, silicon, glitter, wax crayon on canvas, 130x95cm

'A big piece, with 3 different worlds on top of each other, creating these clouds with a dreamy quality. A mixed-media piece with silicon and glitter, with a very Japanese feel to it.'

Blandine Bardeau creates brightly coloured abstract artworks focuses our attention on colour contrast and perception.

2020, Ink on Fabriano cartridge (120gsm) on canvas. 100x100x4.5cm. Framed in black.

Rod McIntosh produces beautiful artworks created using traditional Japanese/Chinese techniques and materials.

2020, Ink on Fabriano cartridge (120gsm) on canvas. 100x100x4.5cm. Framed in black.

Rod McIntosh produces beautiful artworks created using traditional Japanese/Chinese techniques and materials.

2022 Mixed Media on circular board 100x100x2.5cm, unframed, ready to hang (note: this artwork is circular not square as suggested in the image)

No matter how much we embrace our own individual moral compass, it feels like there is a growing disconnect between the set of values some of our institutions live by and our own.
In the absense of examples of just behaviour from those institutions we are likely to justify and embellish our own moral compass, however unaligned with the rest of society.

The patterned off-centre ‘needle’ was created using modelling paste and painted with a brighter colour than the rest of the peice to signify the apparent rightiousness of our own idea of what is good. From within our own echo chamber of morality the perception of our surroundings is one of a crumbling fabric of society. The rough cement-like surface was created using acrylic coloured sand bound in PVC glue.

Rachel creates works in a variety of media, mainly acrylics, producing atmospheric and deceptively understated pieces often on a large scale.

2022 Mixed Media on circular board 100x100x2.5cm, unframed, ready to hang (note: this artwork is circular not square as suggested in the image)

No matter how much we embrace our own individual moral compass, it feels like there is a growing disconnect between the set of values some of our institutions live by and our own.
In the absense of examples of just behaviour from those institutions we are likely to justify and embellish our own moral compass, however unaligned with the rest of society.

The patterned off-centre ‘needle’ was created using modelling paste and painted with a brighter colour than the rest of the peice to signify the apparent rightiousness of our own idea of what is good. From within our own echo chamber of morality the perception of our surroundings is one of a crumbling fabric of society. The rough cement-like surface was created using acrylic coloured sand bound in PVC glue.

Rachel creates works in a variety of media, mainly acrylics, producing atmospheric and deceptively understated pieces often on a large scale.

2022 Mixed Media on circular board 152x92x5cm, unframed, ready to hang

Rachel creates works in a variety of media, mainly acrylics, producing atmospheric and deceptively understated pieces often on a large scale.

Mixed Media on wooden panel 150x80x2.5cm, 2018 unframed, ready to hang

Rachel creates works in a variety of media, mainly acrylics, producing atmospheric and deceptively understated pieces often on a large scale.

Our fossilised past illuminates potential

The tendency as human beings to want to bury aspects of our past in favour of an unsullied future and a pain free present ignores the possibility that the past can inform. Indeed there is an occasional dare to hope that the suppressed fossils of our past may reemerge from the inertia, ’gilded’ with the courage to harvest those parts that infuse us with the confidence to live free. Some of the ignored opportunities to nourish potential fall away and are subsumed within our deeper, darker layers.

Thickened gesso and gold leaf create the sculptural elements that emerge from a background of dull gesso and diluted acrylic paint.The black, bottom third layer is highly sanded and gently varnished to create depth.

Painted on an appropriately primed museum standard wooden floating painting panel. A poplar plywood surface, it has been sustainably sourced (PEFC and FSC certified) and an aluminium subframe that will not react to changes in humidity or temperature creating a warp free panel with lasting longevity.

Mixed Media on board 152x92x5cm, 2018 unframed, ready to hang

Rachel creates works in a variety of media, mainly acrylics, producing atmospheric and deceptively understated pieces often on a large scale.

A protectionist tendency to isolate from an interactive world renders the space and life within those rigid borders largely baron and inert. Insulated from an enlightened and dynamic existence any brief light become unsustainable. Gesso forms the low relief sculptural elements and the overall texture and detail is enhanced by application and removal of many acrylic paint layers.

Acrylic and resin on canvas, 100x100cm, unframed, ready to hang

Isabelle's mixed media paintings combine vibrant dynamic colours that generate excitement and trigger emotions.